La tierra [The Land]

La tierra [The Land]

  • 1952
  • Oil on canvas
  • 300 x 153 cm
  • Cat. P_317
  • Comissioned from the artist in 1951
By:
Julián Gállego Serrano, María José Alonso

The iconography of this composition and of its counterpart The Sea (1952), by Daniel Vázquez Díaz, was approached as an allegory of Work. Both paintings include the family and depictions of motherhood. In this painting, as in the scene with the fishermen, we see a father, mother and child in their usual work environment, with the man harvesting with a scythe while the woman holds the child in her arms. In the background there is a fenced field containing goats and cows and a peasant hoeing the soil. The extolment of work and the family is clear in the context of an institution whose iconography has frequently been linked to this type of allegories of progress and productivity.

Consisting of a background in three horizontal strips (greens, ochres and greens), it shows Sunyer’s particular style: the influence of his time in France and his knowledge of the works of the post-impressionist masters can be seen. He produced a preparatory sketch for the oil painting that was shown along with this canvas in the exhibition at the Syra Galleries.

 
By:
Julián Gállego Serrano, María José Alonso
Joaquim Sunyer
Sitges (Barcelona) 1874 - Sitges (Barcelona) 1956

Joaquim Sunyer studied at La Lonja School at the same time as Isidre Nonell and Joaquim Mir, although he did not become a member of the Colla del Safrá group. He travelled to Paris when he was twenty-two years old and produced illustrations for books and magazines. He set up in the Bateau-Lavoir and was influenced by French post-impressionists, as evidenced by the works that he exhibited at the Salon d’Automne in Paris. He returned to Spain in 1905, commissioned by the art dealer Barbazanges to paint Spanish themes, which were highly popular on the French art scene. Sunyer changed his style, though he was not linked to the Fauvist and Cubist movements, and unveiled his work in Barcelona in 1911. It fell within the Catalan noucentisme cultural movement. He lived in Spain from then on, except during the Spanish Civil War, when he moved to France and lived at Maillol’s house. He exhibited in Madrid, Pittsburgh, Paris and Barcelona; in 1949 he received the French Legion d’honneur and in 1954 the Grand Prix of the Hispano-American Biennial in Havana.

In 1999, the ‘Search for a Look. Joaquim Sunyer’ exhibition was held at the Modern Art Museum of Barcelona. Bilbao Fine Arts Museum staged an anthological exhibition on his work in 2014.

 
«Joaquín Sunyer» (Barcelona, 1952). «Joaquín Sunyer» (Madrid, 1983).
Alfonso E. Pérez Sánchez & Julián Gállego Banco de España. Colección de pintura, Madrid, Banco de España, 1985. Alfonso E. Pérez Sánchez, Julián Gállego & María José Alonso Colección de pintura del Banco de España, Madrid, Banco de España, 1988. Vv.Aa. Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 1.