Collection
La tierra [The Land]
- 1952
- Oil on canvas
- 300 x 153 cm
- Cat. P_317
- Comissioned from the artist in 1951
The iconography of this composition and of its counterpart The Sea (1952), by Daniel Vázquez Díaz, was approached as an allegory of Work. Both paintings include the family and depictions of motherhood. In this painting, as in the scene with the fishermen, we see a father, mother and child in their usual work environment, with the man harvesting with a scythe while the woman holds the child in her arms. In the background there is a fenced field containing goats and cows and a peasant hoeing the soil. The extolment of work and the family is clear in the context of an institution whose iconography has frequently been linked to this type of allegories of progress and productivity.
Consisting of a background in three horizontal strips (greens, ochres and greens), it shows Sunyer’s particular style: the influence of his time in France and his knowledge of the works of the post-impressionist masters can be seen. He produced a preparatory sketch for the oil painting that was shown along with this canvas in the exhibition at the Syra Galleries.
Other works by Joaquim Sunyer