Familia de campo [A Rural Family]

Familia de campo [A Rural Family]

  • 1935
  • Pencil, wax and ink on paper
  • 22,2 x 14 cm
  • Cat. D_32
  • Acquired in 2004
  • Observations: This is a sketch for the painting ‘The Land’ (1952).
By:
Julián Gállego Serrano, María José Alonso

The presence of this drawing in the Banco de España Collection is corroborated by documents found in the 1980s on the commissioning of the artist, in 1951, to produce a work for the Barcelona branch. It is a small sketch dated around April 1935, and thus predates the sketch that the painter completed in August 1952 and the final canvas that hangs in the entrance lobby of the branch, with the title The Land. Sunyer kept the foreground group, consisting of the mother and son, and the structure of the composition in horizontal strips, but important changes were made after this sketch was drawn. They include the man lying in the foreground (who takes a more active pose in the final canvas, giving the work a more monumental feel) and the peasants. The man driving the yoke of oxen and the church did not make it to the final work. On the back of the sketch are the heads of the cattle that appear in the background of the composition.

 
By:
Julián Gállego Serrano, María José Alonso
Joaquim Sunyer
Sitges (Barcelona) 1874 - Sitges (Barcelona) 1956

Joaquim Sunyer studied at La Lonja School at the same time as Isidre Nonell and Joaquim Mir, although he did not become a member of the Colla del Safrá group. He travelled to Paris when he was twenty-two years old and produced illustrations for books and magazines. He set up in the Bateau-Lavoir and was influenced by French post-impressionists, as evidenced by the works that he exhibited at the Salon d’Automne in Paris. He returned to Spain in 1905, commissioned by the art dealer Barbazanges to paint Spanish themes, which were highly popular on the French art scene. Sunyer changed his style, though he was not linked to the Fauvist and Cubist movements, and unveiled his work in Barcelona in 1911. It fell within the Catalan noucentisme cultural movement. He lived in Spain from then on, except during the Spanish Civil War, when he moved to France and lived at Maillol’s house. He exhibited in Madrid, Pittsburgh, Paris and Barcelona; in 1949 he received the French Legion d’honneur and in 1954 the Grand Prix of the Hispano-American Biennial in Havana.

In 1999, the ‘Search for a Look. Joaquim Sunyer’ exhibition was held at the Modern Art Museum of Barcelona. Bilbao Fine Arts Museum staged an anthological exhibition on his work in 2014.

 
 
Alfonso E. Pérez Sánchez, Julián Gállego & María José Alonso Colección de pintura del Banco de España, Madrid, Banco de España, 1988. Vv.Aa. Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 1.