Beruete was a painter of plein-air landscapes, especially of the Sierra de Guadarrama Mountains, where he regularly went to find inspiration. He is known for his sober, realistic style, rooted in the synthetic naturalism of Velázquez. This style was linked to the Regenerationist ideas emanating from the Institución Libre de Enseñanza [“Free Institution of Education”] in Madrid, with its support for academic freedom and its refusal to bow to official dogmas from the last quarter of the 19th century onwards. The Institution organised scientific excursions to the outskirts of Madrid, which Beruete joined in from the outset, but his painting is characterised by a carefree, modern way of depicting the landscape, focusing on the poetry to be found in it.
This scene of Cuenca was painted in 1910, two years before his death. With its chromatic warmth and its free-flowing brush work using the minimal amount of paint, it is part of a series of Castilian landscapes and views of cities, especially Toledo, Cuenca and Madrid. It shows the powerful influence that Impressionism had on Beruete, who made the landscape a central feature of his works. This is a good example of how he successfully combines scientific and geographical interest in the landscape with a poetic idealisation of it.
Other works by Aureliano de Beruete y Moret