Amadeo I de Saboya [Amadeo I of Savoy]

Amadeo I de Saboya [Amadeo I of Savoy]

  • 1871
  • Oil on canvas
  • 223 x 143 cm
  • Cat. P_139
  • Comissioned from the artist in 1871
By:
Julián Gállego Serrano, María José Alonso, Carlos Martín

Amadeo of Savoy was born in Turin on 30 May 1845. He was the son of Victor Emmanuel II and Maria Adelaide of Austria. In 1867 he married Maria Victoria dal Pozzo della Cisterna, a member of the Turin aristocracy, with whom he had a son (the Duke of Apulia) in 1869. The provisional government set up when Isabella II was dethroned offered him the Spanish crown, and he arrived in Madrid early in January 1871 to reign as Amadeo I. His first action on taking up his new kingdom was to visit the body of the recently assassinated General Prim. This visit was depicted in a painting by Antonio Gisbert which was widely reproduced at the time in the form of prints.

The Banco de España commissioned Carlos Luis de Ribera (1815-1891) to paint a portrait of him. The invoice for 20,000 reales de vellón indicates that Ribera had completed the portrait by 30 June of that same year. The company Fábrica de Espejos A. Sion e Hijo was paid 800 reales for the gilded frame on 5 July. The board of the Bank approved this total expenditure of 2080 escudos (equivalent to 20,800 reales) in its meeting on 10 July. The picture was certainly worth it: it is a superb, full-length portrait that highlights the natural elegance and gallantry of the 26-year-old king. He is shown in his full-dress riding uniform standing before the throne of San Fernando, which is sketched out in reddish hues. The painting shows the need for Spanish institutions to come up with images that could turn a foreign king who enjoyed little popularity among the population into a familiar, recognisable figure. In spite of his firm but thoughtful appearance and of his attempts to gain the acceptance of his adopted people, Amadeo I was forced to abdicate just two years after taking up the throne. Following the death of his first wife, he remarried Princess Letizia Bonaparte, the daughter of Jérôme-Napoleon. He died in Turin in 1890.

 
By:
Julián Gállego Serrano, María José Alonso
Carlos Luis de Ribera y Fieve
Rome 1815 - Madrid 1891

Carlos Luis de Ribera y Fieve learned to paint from his father, Juan Antonio de Ribera. At the age of 15 he won First Prize in the first class at the Academy of San Fernando for his historical painting Vasco Núñez de Balboa. He was awarded grants to travel to Rome and to Paris, where he attended the studio of Paul Delaroche. He was a teacher at, a member and the honorary director of the Academy of San Fernando. He staged several exhibitions in Paris and made a name for himself as a painter of murals for public buildings, including the Palacio Vista Alegre, the church of San Francisco el Grande and, especially, the Palacio de Congresos convention centre. His entry for the National Fine Arts Exhibition of 1871 was a portrait of King Amadeo I of the House of Savoy that he had painted under a commission from the Banco de España. In 1860 he was awarded the Order of Charles III and in 1870 the Grand Cross of the Order of Isabella II. He was court painter to Isabella II and specialised in portraits and historical scenes.

 
«Carlos Luis de Ribera» (Madrid, 1871). «The Golden Fleece. Five Centuries of Art and History» (Bruges, 1962). «El Banco de España. Dos siglos de historia (1782-1982)», Banco de España (Madrid, 1982). «Sagasta and Progressive Liberalism in Spain», Sala Amós Salvador (Logroño, 2002-2003). «Joaquín Agrasot. An international painter» (Valencia, 2021).
Francisco Javier Sánchez Cantón Los retratos de los Reyes de España, Barcelona, Ediciones Omega, 1948. Manuel Ossorio y Bernard Galería biográfica de artistas españoles, Madrid, Librería Gaudí, 1975. Vv.Aa. El Banco de España. Dos siglos de historia. 1782-1982, Madrid, Banco de España, 1982. Pilar Miguel Egea Carlos Luis de Ribera. Pintor romántico madrileño, Madrid, Fundación Vega-Inclán, Patronato Nacional de Museos, 1983. Alfonso E. Pérez Sánchez & Julián Gállego Banco de España. Colección de pintura, Madrid, Banco de España, 1985. Alfonso E. Pérez Sánchez, Julián Gállego & María José Alonso Colección de pintura del Banco de España, Madrid, Banco de España, 1988. Vv.Aa. Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 1. Vv.Aa. 2328 reales de vellón. Goya y los orígenes de la Colección Banco de España, Madrid, Banco de España, 2021.