Alfonso XII

Alfonso XII

  • 1875
  • Oil on canvas
  • 224 x 145,5 cm
  • Cat. P_142
  • Comissioned from the artist in 1875
By:
Julián Gállego Serrano, María José Alonso

The name 'Domínguez' appears on a label stuck to the back of this painting. This may be why may people failed to see the obvious similarities in colour, composition and even size with the portrait of Amadeo I by Carlos Luis de Ribera. There is now no doubt as to who painted it, as the invoice submitted by the artist to the Banco de España on 29 March 1875 has been found (for 20,000 reales de vellón, the same price as the portrait of Amadeo I painted a few years earlier). Alfonso XII was born on 28 November 1857 and had not yet reached his 20th birthday when he was proclaimed king of Spain in Sagunto on 29 December 1874. He entered Madrid in a triumphal procession the following month of January. As with his predecessor, the Bank commissioned Carlos Luis de Ribera to paint his portrait.

In his portrait of Alfonso XII, Ribera uses almost exactly the same layout as for Amadeo I, right down to the palette of colours, featuring ochres, reds and yellows and the decision to paint him in his riding uniform. The only difference is that the background is sketchier in this portrait of the son of Isabella II and the king himself looks less gallant, more indecisive and kindlier. The painting is retouched to correct the tight fit of his riding breeches. Alfonso XII married his cousin Maria Mercedes of Orleans and Bourbon in 1878, but she died just five months after the wedding. He remarried on 29 November 1879 to Maria Christina of Austria. He died on 25 November 1885.

 
By:
Julián Gállego Serrano, María José Alonso
Carlos Luis de Ribera y Fieve
Rome 1815 - Madrid 1891

Carlos Luis de Ribera y Fieve learned to paint from his father, Juan Antonio de Ribera. At the age of 15 he won First Prize in the first class at the Academy of San Fernando for his historical painting Vasco Núñez de Balboa. He was awarded grants to travel to Rome and to Paris, where he attended the studio of Paul Delaroche. He was a teacher at, a member and the honorary director of the Academy of San Fernando. He staged several exhibitions in Paris and made a name for himself as a painter of murals for public buildings, including the Palacio Vista Alegre, the church of San Francisco el Grande and, especially, the Palacio de Congresos convention centre. His entry for the National Fine Arts Exhibition of 1871 was a portrait of King Amadeo I of the House of Savoy that he had painted under a commission from the Banco de España. In 1860 he was awarded the Order of Charles III and in 1870 the Grand Cross of the Order of Isabella II. He was court painter to Isabella II and specialised in portraits and historical scenes.

 
«El Banco de España. Dos siglos de historia (1782-1982)», Banco de España (Madrid, 1982). «Masterpieces from the Banco de España Collection», Museo de Bellas Artes de Santander (Santander, 1993). «Cánovas and the Restoration», Centro Cultural Conde Duque (Madrid, 1997-1998). «The architecture of Eduardo de Adaro and Banco de España», Banco de España (Madrid, 2023-2024).
Vv.Aa. El Banco de España. Dos siglos de historia. 1782-1982, Madrid, Banco de España, 1982. Alfonso E. Pérez Sánchez & Julián Gállego Banco de España. Colección de pintura, Madrid, Banco de España, 1985. Alfonso E. Pérez Sánchez, Julián Gállego & María José Alonso Colección de pintura del Banco de España, Madrid, Banco de España, 1988. Francisco Calvo Serraller Obras maestras de la Colección Banco de España, Santander, Museo de Bellas Artes de Santander y Universidad Internacional Menéndez Pelayo, 1993. Vv.Aa. Cánovas y la Restauración, Madrid, Centro Cultural Conde Duque, 1998. Vv.Aa. Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 1. Vv.Aa La arquitectura de Eduardo de Adaro y el Banco de España, Madrid, Banco de España, 2023, 5.