El arte como testigo y agente de los cambios sociales que marcaron el imaginario visual de las décadas de 1920 y 1930
Un recorrido por las piezas pictóricas y escultóricas de la Colección Banco de España que forman parte de la exposición «Alegorías de un porvenir». Obras que permiten explorar la relación entre arte, trabajo y construcción nacional o ponen de relieve el papel fundamental que jugó el «art déco» como encarnación de los valores de la modernidad. Entre las piezas seleccionadas se incluyen trabajos de artistas como Joaquín Sorolla, Benjamín Palencia, José Gutiérrez Solana o José de Olivares.
Stained glass panels by Maumejean Hermanos, one of the most iconic sets of twentieth-century institutional Art Deco in Europe
A selection of the original drawings, sketches and cartoons of the panels is now on show in 'Allegories of What is to Come'. The exhibition focuses on the enlargement of the Banco de España's head offices on Plaza Cibeles in the 1930s (a key episode in the institution's history) and explore some of the contradictions of an age in which modernism was seen as a promised land over which different groups fought for ownership. Due to its popular success, the exhibition run has been extended until 30 May.
New additions to our 'Highlights' section: works by Isabel Oliver, Salomé Cuesta and Cristina García Rodero
The three pieces, produced between 1975 and 1995, reflect the strength and determination with which women artists burst onto the Spanish arts scene in the last three decades of the twentieth century.
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