T

T

  • 2013
  • Digital pint on paper
  • 160,5 x 106 cm
  • Edition 1/2
  • Cat. F_153
  • Acquired in 2013
By:
Isabel Tejeda

T (2013) by Absalon Kirkeby belongs to a series of works in which the Danish artist shifts works on the border between photography and painting. These pieces have undergone intense post-production processes that make it hard to recognise what they depict. In the specific case of T, a winding, bright yellow line presumably made using a digital spray, draws the full attention of the spectator as it runs from the top to the bottom of the image, occupying much of the space and concealing the motif photographed. The line disorganises or reorganises the image by turning the specific, i.e. the object photographed, into yet another form of abstract composition.

The images exhibited mainly seem to be dreamlike: scenes halfway between the reality of being awake and the personal fiction of falling asleep. The artist says that sometimes he does not sleep for days at a time so as to carry on taking photographs. This leads him into a type of trance where the perceptible is distorted and colours and reality mix.

Isabel Tejeda

 
By:
Isabel Tejeda
Absalon Kirkeby
Copenhagen 1983

Absalon Kirkeby is the son of the famous interdisciplinary artist Per Kirkeby (1938), known mainly for his contributions to European neo-expressionism. He studied at Goldsmiths College at the University of London (2010) and the Danish Royal Academy of Art (2008-2013), where he adopted photography as his means of artistic expression.

His projects are somewhat diverse in terms of visual results, conveniently ranging between realism and abstraction. However, in all cases his use of photography is not linked to capturing an image at a specific time but rather to constant experimenting with forms and colours. This means that his works sometimes undergo heavy digital manipulation which results in digital brushstrokes or thick straight lines in bright colours that hide what in theory is presented and provide the photographs with a clear pictorial quality.

Even though some motifs can be discerned in his most recent works – generally connected to punk, such as skulls, computer items, tyres, etc. – his experimenting with different image processing techniques is much stronger. The intention to highlight their manipulation is what makes the resulting images allude to their own artificiality rather than to the motifs depicted. Furthermore, the type of processing to which they are subjected provides them with a visual touch that, once again, distances them from purely digital aesthetics and places them in a context of pictorial art.

Kirkeby has held numerous collective and solo exhibitions. His work has been exhibited at Art Rotterdam (Rotterdam, the Netherlands, 2014) and at other venues such as Vejen Kunstmuseum (Vejen, Denmark, 2013); Poul La Cour Museet (Vejen, Denmark, 2013); and the Fotografisk Center (Copenhagen, 2010).

Isabel Tejeda

 
«Fencing», Peter Amby Gallery (Copenhagen, 2013).
Vv.Aa. Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 2.