La masía [The Farmstead]
- c. 1889
- Oil on canvas
- 65,5 x 114,5 cm
- Cat. P_307
- Acquired in 1983
The two pictures by Catalan artist Francesc Rusiñol in the Banco de España Collection were painted in the late 1880s or early 1890s. Both are signed but neither is dated. However, the creative development of the artist suggests that The Farmstead could have been painted before he travelled to Paris for the first time in 1889, as it is typical of the taste of the Barcelona bourgeoisie for landscapes linked to stories with one or more characters. It shows two women at the door of a farmhouse: one doing washing and the other caring for a small child. In Paris Rusiñol and his friend and colleague Ramón Casas were influenced by naturalist painting and impressionism, which they and Enric Clarasó all defended in a controversial exhibition at the Parés Gallery in 1890. A year later they were back together and once again advocating the discourse of renewal of these movements in another exhibition at the same venue. Both exhibitions were strongly criticised by their bourgeois customer base in Barcelona and by conservative critics, as the works shown by Casas and Rusiñol were not to their taste. An example can be found in Gerona Landscape, also undated: a bare landscape painted au plein air, with loose brush-strokes and an interest in light. It is a casual scene with no weather details or implied story. It is just a landscape in rural Gerona with multiple signs of human habitation: a path between walls runs across the picture, marking the limits between properties. On one side a haystack can be seen and on the other a poplar grove, with ancient rolling hills in the distance on a bitter, stormy day. Rusiñol later became interested in gardens and produced several paintings of the Reales Sitios at La Granja and Aranjuez, where he died.
Other works by Santiago Rusiñol