Interjecciones [Interjections]
- 1988
- Oil on canvas (Triptych)
- 210 x 435 cm
- Cat. P_442
- Acquired in 1990
By:
Carlos Martín
In Interjections (1988) Luis Gordillo once more represents that rhizomatic environment that is a feature of his work. Increasingly complex and meandering, it is based on a motley, disorderly organicism. An illegible message appears to be emitted, based exclusively on groupings of fragments of a non-verbal sign, the interjection, devoid of meaning on its own and, moreover, entirely absent from the painting apart from the title. We see a series of oval shapes which we might associate with punctuation marks, but which in other contemporary examples are grasses or germs — fluid forms that seem to escape any attempt to confer structure or scale on them, even in a format as traditionally hierarchical as that of the triptych.
«20 Contemporary Spanish Painters in the Banco de España Collection», Sala de Exposiciones de la Estación Marítima Xunta de Galicia
(La Coruña, 1990).
«20 Contemporary Spanish Painters in the Banco de España Collection», Palacio del Almudí
(Murcia, 1990).
«20 Contemporary Spanish Painters in the Banco de España Collection», Sala Amós Salvador
(Logroño, 1990).
«20 Contemporary Spanish Painters in the Banco de España Collection», Museo de Navarra
(Pamplona/Iruña, 1990-1991).
«Luis Gordillo», Círculo de Bellas Artes
(Madrid, 1997).
Vv.Aa.
20 pintores españoles contemporáneos en la colección del Banco de España, Madrid, Banco de España, 1990. Vv.Aa.
Luis Gordillo, Madrid, Círculo de Bellas Artes de Madrid, 1997. Vv.Aa.
Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 2.
Other works by Luis Gordillo