From serie 17 proposition P6

From serie 17 proposition P6

  • 2007
  • Duratrans, light box
  • 122 x 87,5 x 12 cm
  • Edition 1/3
  • Cat. F_119
  • Acquired in 2009
By:
Beatriz Herráez

From series 17 proposition P6 (2007) is a photograph from a series where Joana Pimentel takes different birds-eye views of the Earth. It seems to be a satellite shot, an image similar to the views of the planet used for weather forecasts in the media. As in many of her previous pieces, the artist has included a text or caption over the cloud formations covering the Earth, which here reads ‘stop-ping the ro-ta-tion of the ro-ta-ta-ble hou-sing (breath)’, along with musical notation.

In 2008, Joana Pimentel published a signed, numbered monograph with the same title, 17 Propositions. In it she builds up a tale using a number of images from the NASA website (earthobservatory.nasa.gov) and phrases from Ludwig Wittgenstein, the philosopher who radically changed the foundations of philosophy in the 20th century. In the book, Pimentel takes the reader on a 17-day journey through successive ‘imaginary relations’ with the philosopher’s words.

At the time of a solo show entitled ‘En circumstancias normales’ [‘Under Normal Circumstances’] at the Ibero-American Museum of Contemporary Art in 2007, she returned to Wittgenstein and, in particular, to his essay On Certainty: ‘Wittgenstein considers the concept of ‘under normal circumstances’ as a linguistic fallacy. We believe that under those (normal) circumstances what we assert and what we hold as true is in fact so, but the philosopher challenges that certainty: the misconception emerges exactly from our conviction about the truth’. That text was the starting point in the exhibition for considering the problem of the misleading perception caused by the production of images, its role in the construction of the notion of ‘reality’ that we handle and the parallelisms established with the concept of what we understand as ‘true’.

Beatriz Herráez

 
By:
Beatriz Herráez
Joana Pimentel
Porto 1971

Joana Pimentel graduated In Fine Arts from the University of Porto (1997) and pursued her studies at the Complutense University of Madrid (2005). She currently teaches at the Art and Architecture Faculty at Lusíada University (Portugal).

Her work has shifted from the production of images saturated with poetic references and kitsch elements to more refined, starker pieces. Thus, the references to the human figure repeated so often in her early works, even those where she usually included a self-portrait and text, has tended to disappear in her current pieces. Another constant in her work is a systematic reflection on the notion of landscape, mainly by means of close-ups of rough seas and heavy swell, in a clear allusion to the Romantic sublime. Black and white surfaces in graphite and inks, or printed on photographic paper, are among the techniques and procedures that she uses to play with the viewer’s perception and question the boundaries of representation.

Joana Pimentel’s work has been exhibited at the Pedro Oliveria Gallery (Porto, Portugal, 2016); the Nogueira da Silva Museum (Braga, Portugal, 2015); the Adhoc Gallery (Vigo, 2008); and the Ibero-American Museum of Contemporary Art (Badajoz, 2007 & 2012). She has been part of group exhibitions at the Dos Leões Gallery, at the Vice-Chancellor’s Office at the University of Porto (Porto, Portugal, 2014); the Domus Artium (Salamanca, 2010); and the exhibition to mark the Pilar Citoler Award at Cordoba University (2012).

Beatriz Herráez

 
 
Vv.Aa. Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 3.