Helena Almeida: 'Seduzir' [To Seduce, 2002] (detail)

Collection

Al consejo del Banco de España. El personal agradecido [To the Board of the Banco de España. The Grateful Staff]

Image caption
LORENZO COULLAUT VALERA

Al consejo del Banco de España. El personal agradecido [To the Board of the Banco de España. The Grateful Staff]

  • 1922
  • Marble and bronze
  • 100 x 130 x 20 cm
  • Cat. E_28
  • Comissioned from the artist in 1921
  • Observations: Placa anclada a la pared de manera permanente. Obra fundida por Mir y Ferrero, Madrid.
By:
Isabel Tejeda

During the early decades of the 20th century, the employees of the Banco de España commissioned Lorenzo Coullaut Valera to make a number of works to show their appreciation either to the institution, its managers or a colleague. Coullaut made five pieces: two in the monumental sculpture style, one bust and two relief plaques. Apart for some minor details, all of these works follow the formal discourse typical of the Academy and use allegorical features common to that tradition.

In 1921, Coullaut was commissioned to produce a plaque in marble and bronze, dedicated by the employees to the board. It included an inscription with all the board members flanked by personifications in profile of Abundance and Joy, under the coat of arms of King Alfonso XIII and two putti holding a caduceus and quill.

Isabel Tejeda

 
By:
Isabel Tejeda
Lorenzo Coullaut Valera
Marchena (Seville) 1876 - Madrid 1932

A descendent of the writer Juan Valera, Lorenzo Coullaut Valera was the patriarch of a long line of sculptors. He was succeeded by his son Federico (b. Madrid, 1912 – d. La Granja, Segovia, 1989) and later by his grandson Lorenzo (b. Madrid, 1944 – d. La Granja, Segovia, 2002). His work remained within the tradition of academic statuary, rooted in nineteenth-century discourses, albeit with modernist touches towards the end of his career. Although Coullaut was born in Andalusia and spent time in France – his father was a French engineer and Lorenzo moved to Nantes with his family in 1880 – he settled and set up his studio in La Granja de San Idelfonso in the mid-1880s. He is known to have studied with the Sevillian sculptor Antonio Susillo and with Agustín Querol. In 1897, he won his first award (an honorary mention) at the 1897 National Exhibition for a bust of his uncle Juan Valera, the novelist, whom he was to portray on other occasions.

Coullaut accepted quite a large number of commissions for public works, for which he created formally academic structures. Examples include his Monument to Gustavo Adolfo Bécquer (Seville, 1910); Monument to Campoamor (Madrid, 1914); Monument to Enrique Peinador (Mondariz, Pontevedra, 1919); Monument to the Álvarez Quintero Brothers (Madrid, 1934); Monument to Cervantes in the Plaza de España (Madrid, 1926-1930), completed by his son Federico and the Monument to Juan Valera (Madrid, 1928).

In 2002, the National Glass Centre Foundation organised an anthological exhibition of the work of Lorenzo Coullaut Valera and his decendants. In 1990, a museum of his work was opened at the Morón Gateway in Marchena.

Isabel Tejeda

 
 
Vv.Aa. Colección Banco de España. Catálogo razonado, Madrid, Banco de España, 2019, vol. 1.